Puig weaves in stream-of-consciousness, which is used to depict Valentin’s dreams, as well as his and Molina’s internal thoughts, revealing their motivations. Molina, it turns out, is a spy, on behalf of the warden, and is supposed to soften Valentin so he reveals secrets of Valentin’s political group’s movements.

Valentin begins to open up to Molina about his involvement in the movement, but also about his feelings for Marta, an ex-girlfriend. He then tells one about a South American son who wishes to be involved with a political movement, which relates to Valentin. Then he shares a Nazi propaganda plot, which Molina loves for its romance. Still, Molina continues to share movie plots that he remembers, starting with the one about a girl whose fears come true when she becomes a panther woman when she believes her husband is having an affair. Valentin listens, interjecting to make comments, ask questions, and make critical remarks, which irritates Molina. The first movie is about a girl whose fear of becoming a panther woman comes true when she becomes suspicious of her husband having an affair with his assistant. To pass the time and to fall asleep, Molina tells detailed and often embellished movie plots to Valentin as they lie side-by-side. It is clear, from the beginning, that Molina and Valentin have contrasting views and disagree on many things. Molina, serving eight years for the “corruption of minors” is animated and sociable, unlike Valentin, a detainee, who is more reserved and spends his free time studying philosophy and preparing to rejoin his comrades when he is released.

Kiss of the spider woman by manuel puig